CD Review: Hossam Ramzy and Special Guests, Rock the Tabla
[ARC, 2011]There’s good reason this album has been given the red carpet treatment by its label. What else do you do with such an amazing conglomeration of musical ideas other than spread the word far and wide? On the one hand there are moments of serene beauty, and on the other, complex, writhing, swirling rhythms from what seem like every angle and whole new dimensions. Can rhythms have textures? A thousand different ones? I swear these do, although I suppose the textures technically arise from the percussion instruments, which may not be quite infinitely varied, but they’re close to it.
CD Review: The Green, Ways & Means
[Easy Star, 2011]
For some reason musicians of the islands of Hawai’i often do an amazing job with the music of the island of Jamaica. There’s something in the water besides salt, apparently. Anyway, here’s another example. Through their Ways & Means, the four members of The Green have bestowed on us 14 tracks of progressive yet rootsy reggae. It has distinct echoes of Third World and Steel Pulse scattered around, in both the instrumentation and vocals, but the album features lots of originality too, and quite a bunch of delightful musical surprises.
CD Review: Tommy McCook, Dubbing With Horns
[Jamaican Recordings, 2011]
Sure, you probably know the name Tommy McCook from his days in ska, but you may not have heard much about him post-Skatalites. Fortunately, though, he did move onward, and I daresay upward, settling comfortably into the rich reggae of the 1970s – which is the period represented on Dubbing With Horns. Naturally McCook’s tenor sax remained as sophisticated, as jazz-influenced as ever, which these 18 dub tracks do nothing to disguise. In fact I’d say his playing doesn’t merely shine through the dub, loud and clear, but illuminates it – something to do with the dub genre’s improvisational approach that happens to be shared with ska and jazz.
Merry Christmas from Blue Mountain Project
12 December 2011
Merry Christmas and Happy New Year!
2011 is drawing to a close and we are busy planning our 2012 activities. As always we have lots of dreams, lots of ideas, lots of hopes.
In 2011, we worked on a number of construction activities. We improved the health clinics, we painted kindergartens, and we helped improve local family housing.
CD Review: Zion, Crying for Freedom
[Skank Records, 2011-11-12]
The artist called Zion is hugely reminiscent stylistically, and in his vocal timbre, to Bob Marley (as opposed to, for example, the unique Ossie Dellimore as featured on another recent Skank Records release). Granted, Bob is a worthy template to adopt, and in any case, if what you’re looking for is enjoyable reggae, then the strength of Zion’s song writing and of his performances eventually make the comparison pretty much irrelevant.
CD Review: Ossie Dellimore, Reggae Music
[Skank Records, 2010]
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